US and French Vogue November 2008 issues
Read about British and Australian Vogue magazine covers here >>
Now I want to make preview for French and American Vogue covers.
Vanessa Paradis for French Vogue magazine November 2008
Vanessa Paradis’s so beautiful on French Vogue November 2008 cover. The beautiful photoshoot of her is To Die!
The cap by Miu Miu, gap in the teeth, red nails and stuffy eye all are just screaming great.
Carine Roitfeld tapped the professional photographers Mert Alas and Marcus Piggot to capture the modern face of Miu Miu.
The wholeheartedly anticipated age issue features Cindy Crawford by Inez van Lamsweerde and Vinoodh Matadin, Penelope Tree by Bruce Weber, Anna Selezneva and Eva Herzigova by Mario Sorrenti, and the long-awaited release of Ryan McGinley’s buzzed-about cooperationwith Raquel Zimmermann.
The most fascinating editorial? Hands down “De 10 a 60 ans.”
Also photographed by Inez & Vinoodh, this Roitfeld-styled spread features a successfuly and “gracefully aging” Eniko Mihalik.
While some argue that the “younger” photos are somewhat ominous, the photographs are so well-rendered and infallible conceived that while decidedly spooky, the general tenor is still beneficial nonetheless.
Reese Witherspoon for US Vogue November 2008
Reese Witherspoon with her deep blue eyes is on the November 2008 cover of US Vogue. Inside, her looks are stunningly pictured around Paris.
Reese Witherspoon tells the story of finding her Oscar outfit, becoming the quintessential Nina Ricci woman, and even about her family and her boyfriend Jake Gyllenhaal.
The actress told she is in love with Gyllenhaal and feels “lucky” to have him in her life. Also she denies rumors that she doesn’t like her Four Christmases co-star Vince Vaughn.
Witherspoon on the balcony of the Hôtel de Crillon.
Alexander McQueen crepe cocktail dress.
Van Cleef & Arpels diamond necklace.
On Jake:
He’s very supportive. Suffice it to say, I’m very happy in life, and I’m very lucky to have a lot of really supportive people around me who care very much for me, and, you know, that’s all you can hope for in life. I am very blessed in that way.”
Reese Witherspoon dines at the famed Brasserie Lipp with Nina Ricci artistic director Olivier Theyskens.
Derek Lam faille trench.
Christian Louboutin pumps.
On traveling with her children:
I’m very lucky I get to bring my children to great places and they get to see the world with me, and we get to grow and learn and experience things together.”
On her life:
Every once in a while you’re hit with moments when you think, really? This is my life. How lucky am I?”
Left: A felt Rike Feurstein cloche and a red lip—Avon’s Regal Red lipstick—evoke Brassaï’s Parisian café society.
Right: “This was what I call a flash dress,” says Theyskens of this silk-gazar confection.
Nina Ricci ball gown reembroidered with petals and silk flowers. Van Cleef & Arpels diamond earrings.
On her charity work with Avon:
The more work I’ve done with children around the world, the more I realize the way to help them is by empowering women, creating financial opportunities, and that’s something Avon is very dedicated to.
On making Four Christmases:
There are so many dynamics that people deal with all the time, and you don’t really see it in movies very much. You don’t see the blended-family Christmas very much. And it really is a complication in a lot of people’s lives now. How do you see your mother and your father and not hurt anyone’s feelings? You know, I didn’t grow up like that. I mean, my parents are still married, and my grandparents stayed married, but it’s a situation my own children will have to deal with, so it was of interest to me.”
Left: Amid furnishings fit for Magritte, Witherspoon is a study in contrasts at the Hervé Van der Straeten home.
Armani Privé silk-velvet evening dress with panel in silk caddis.
Hervé Van der Straeten silver cascade earrings.
Right: The actress at the Hôtel de Crillon.
Ralph Lauren Black Label cashmere cardigan and cotton-twill jacket.
On playing a superhero in Monsters vs. Aliens:
I have a history, a long history of being stereotyped as a five-foot-two woman, which is very limiting. I’ve worked so hard to create characters that have dignity, and I think everybody knows that I have a very pro-woman message in my work — and in my life.”
At the Nina Ricci Atelier, Reese opts for a more modern, youthful silhouette over full-skirted formality. Nina Ricci washed-silk radzimir dress and stilettos.
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Vanessa Paradis looks like Madonna on this cover.
This was my first impression, too.